I celebrated my entry into 56 th year last week. An occasion to remember and what is the best way to have an event memorable, if not through music !
So, I listed my favourite songs, this year non-film ones, which I could listen in a loop. I thought I'll share the list with my friends. This is strictly a list of personal favourites, so I thought it fit to document the anthology, which ranges from the grand old lady Begam Akhtar to Sumita Chakraborty, one of the less-known names.
So, I listed my favourite songs, this year non-film ones, which I could listen in a loop. I thought I'll share the list with my friends. This is strictly a list of personal favourites, so I thought it fit to document the anthology, which ranges from the grand old lady Begam Akhtar to Sumita Chakraborty, one of the less-known names.
So here’s the list ( and the songs)
The name of Begam Akhtar was always mentioned in our musically-inclined , urdu-literate family, whenever an appropriate occasion was there. While as a child I found her voice “coarse” ( as compared to “sweet” of Lata Mangeshkar ), as I grew up, I realised the impact of the rendition on the listener, specially as the song was a high-brow ghazal rather than a light romantic solo !
Kabhi taqdeer ka maatam, kabhi duniya ka gila
Manzil-e-ishq mein, har gaam pe rona aaya
The name of Begam Akhtar was always mentioned in our musically-inclined , urdu-literate family, whenever an appropriate occasion was there. While as a child I found her voice “coarse” ( as compared to “sweet” of Lata Mangeshkar ), as I grew up, I realised the impact of the rendition on the listener, specially as the song was a high-brow ghazal rather than a light romantic solo !
Kabhi taqdeer ka maatam, kabhi duniya ka gila
Manzil-e-ishq mein, har gaam pe rona aaya
Hamein to aaj ki shab, pau phate tak jaagna hoga
Yahi qismat hamari hai, sitaaron tum to so jao
Zehar peene ki to aadat hai zamaane waalon
Ab koi aur dawaa do, ke main zinda hoon abhi
Maqaam Faiz koi raah mein jancha hi nahin
Jo koo-e-yaar se nikle, to soo-e-daar chale
Ghulam Ali came as another whiff of fresh air. His voice had a “khanak” and his style of rendition vastly appealing. There was an unexperienced ‘adaa’ in his gayaki , as most of his ghazals demonstrate amply. His thumris and naats are equally a delight to listen.
This is my most favorite ghazal, which I can hear any number of times
Aur ye chot bhi nayi hai abhi
The Asha Bhonsle of cabarets and pop-based love-songs is as great as the Asha who sings ghazals. The album of Asha which shows her versatility ( proved in Umrao Jaan, later on) was the one from which this ghazal has been selected.
Tu kahaan thi ae ajal, ae naamuraadon ki muraad
Marne waale raah teri, umr bhar dekha kiye
Marne waale raah teri, umr bhar dekha kiye
As I began to collect the cassettes for my music library, I came across Chandan Das. A rooted-to-earth voice and an honest rendition. I found his ‘geet’, presented below as one with a massive repeat value, for which some credit goes to the lyrics too.
Toote na ye saanson ka tasalsul mere hamdam
Ye kaafila -e-umr bahut tez kadam hai
This is but a sampling of the songs which I love to listen on loop. There are many others, which will take many more blogs. As a parting shot, I remember the lines of Gulzar on my birthday, as I always do, year after year
Wo umr kam kar raha tha meri
Min saal apne badha raha tha
2 comments:
Great choice of singers. Each one had a unique voice quality and style. Master Madan was another gem who is often forgotten.
Great choice of singers. Each one had a unique voice quality and style. Master Madan was another gem who is often forgotten.
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